I have no idea why I haven’t heard about this before: The Coen brothers directed an adaptation of Cormac McCarthy’s No Country for Old Men (limited: November 9, wide: November 21). I am slightly scared to see the outcome of this gutsy project.
Personally, I don’t think the novel lends itself well to filmic adaptations. The outcome will doubtlessly focus more on the actual action of the novel than the psychological struggles, the political backdrop of immigration and globalization, which is juxtaposed with traditional US values, morals and narratives and the philosophical conflicts contained in the interaction between the characters–or so I fear. Maybe it is just because I am actually writing about the novel in my dissertation and fear that too many hack critics will write crappy CS criticism about the movie I will have to deal with when revising the dissertation for a publisher later on. In any case, the novel is fantastic. Especially memorable scenes include the final encounter between Chigurh and Llewelyn’s wife, in which Chigurh explains in painstaking detail the reasons that require him to kill her. In the novel this is a long, drawn-out scene that contains a very complicated argument regarding the attachment to universalizing teleologies, an argument that runs through the entire novel via the intersected passages that reflect the thoughts of the Sheriff on the “new world,” which is simply no country for old men. McCarthy’s novel, however, illustrates to us the pervasiveness of those desiring structures that are clearly outdated, but which at the same time appear to be difficult to supersede. Many of us, so McCarthy, are old men in a country that seems to travel faster through history than we appear to be able to.
Let’s hope the Coen brothers are able to at least capture a part of McCarthy’s extraordinarily sentitive and insightful exploration of the present US psyche.
Here a trailer: