I’ve posted about and expressed my admiration of Wood’s latest graphic novel DMZ before. I just read Vol.3 “Public Works,” which strongly underlines the status of this graphic novel as one of the most daring, politically progressive contemporary cultural works. Instead of writing about the text itself (which, since it is a graphic novel, should really be read/looked at individually) I will provide you with an interesting (angry) section from Cory Doctorow’s introduction to Vol.3:
A few Islamic fanatics who thought of Saddam Hussein as the devil incarnate are delighted to use his toppling as the excuse to inspire another generation of jihadists. Just like the shitkickers who wouldn’t have pissed on Manhattan if it was on fire are nevertheless proud to stick a yellow ribbon magnet on their Hummers and proclaim ‘Never Forget’, even as they forget that the 9/11 attacks were directed at Sodom on the Hudson, a city filled with gayers, women in bifurcated garments and brown people who smell like curry.
DMZ is a special kind of angry comic, the kind of angry war comic that tells the story of the other side of the war. Non-combatants aren’t just cannon fodder or collateral damage. We’ve got every bit as much agency, as much control over our destinies, as the guys with the guns and the satellite photos. But you wouldn’t know it from how we’re depicted in the press–instead, we’re the bodies blown apart on street corners, the shoeless sheep having our hemorrhoid cream confiscated at the airport.
DMZ is an inspiration to we who refuse to be dismembered and unshod. It’s a wake-up call to stop letting greedy profiteers sell fresh wars to cement their authority and profitability.
If I had my way, this comic would be required reading in every civics class in America.
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